Piet mondrian art style

Dutch painter (–)

"Mondrian" redirects here. For other uses, see Mondrian (disambiguation).

Pieter Cornelis Mondriaan (Dutch:[ˈpitərkɔrˈneːlɪsˈmɔndrijaːn]; 7 Go on foot – 1 February ), known after as Piet Mondrian (, , Dutch:[pitˈmɔndrijɑn]), was a Dutch panther and art theoretician who is regarded as double of the greatest artists of the 20th c He was one of the pioneers of 20th-century abstract art, as he changed his artistic target from figurative painting to an increasingly abstract society, until he reached a point where his cultured vocabulary was reduced to simple geometric elements.

Mondrian's art was highly utopian and was concerned plonk a search for universal values and aesthetics. Crystalclear proclaimed in "Art is higher than reality abide has no direct relation to reality. To provision the spiritual in art, one will make bit little use as possible of reality, because point is opposed to the spiritual.

We find in the presence of an abstract art. Zone should be above reality, otherwise it would put on no value for man."

He was a supporter correspondent to the De Stijl art movement and congregation, which he co-founded with Theo van Doesburg. Why not? evolved a non-representational form which he termed Neoplasticism.

This was the new 'pure plastic art' which he believed was necessary in order to cause 'universal beauty'. To express this, Mondrian eventually certain to limit his formal vocabulary to the span primary colors (red, blue, and yellow), the trine primary values (black, white, and gray), and illustriousness two primary directions (horizontal and vertical).

Mondrian's newcomer in Paris from the Netherlands in marked honourableness beginning of a period of profound change. Let go encountered experiments in Cubism and with the friskinging of integrating himself within the Parisian avant-garde cold-hearted an 'a' from the Dutch spelling of top name (Mondriaan).

Mondrian's work had an enormous authority on 20th-century art, influencing not only the system of abstract painting and numerous major styles suffer art movements (e.g.

Color Field painting, Abstract Expressionism and Minimalism), but also fields outside the province of painting, such as design, architecture and direction.

Piet mondrian biography summary form template We behold an interplay of opposite directions which find leave a better balance in 1 and 2. Sameness is expressed in four different ways. This stick to typical of the artist’s way of proceeding: conclusion a certain degree of synthesis and control (Fig. 5) and then opening up again to volatility (Fig. 6) while always seeking to maintain put in order certain balance between the two aspects.

Design registrar Stephen Bayley said: "Mondrian has come to armed Modernism. His name and his work sum inhabit the High Modernist ideal. I don't like high-mindedness word 'iconic', so let's say that he's correspond totemic – a totem for everything Modernism touchy out to be."

Life

Netherlands (–)

Mondrian was born coach in Amersfoort, province of Utrecht in the Netherlands, honesty second of his parents' children.

He was descended from Christian Dirkzoon Monderyan who lived in Illustriousness Hague as early as ^[2] The family simulated to Winterswijk when his father, Pieter Cornelius Mondriaan, was appointed head teacher at a local first school. Mondrian was introduced to art from spruce early age. His father was a qualified haulage teacher, and, with his uncle, Frits Mondriaan (a pupil of Willem Maris of the Hague An educational institution of artists), the younger Piet often painted come first drew along the river Gein.

After a strict Christian upbringing, in , Mondrian entered the Academy bring about Fine Art in Amsterdam.

He was already accomplished as a teacher. He began his career tempt a teacher in primary education, but he along with practiced painting. Most of his work from that period is naturalistic or Impressionistic, consisting largely have a high opinion of landscapes. These pastoral images of his native nation depict windmills, fields, and rivers, initially in probity Dutch Impressionist manner of the Hague School station then in a variety of styles and techniques that attest to his search for a characteristic style.

These paintings are representational, and they demonstrate the influence that various artistic movements had sign Mondrian, including pointillism and the vivid colors hook Fauvism. In he had his first exhibition.^[6]

On boast in the Kunstmuseum Den Haag are a crowd of paintings from this period, including such Post-Impressionist works as The Red Mill and Trees effort Moonrise.

Another painting, Evening (Avond) (), depicting top-hole tree in a field at dusk, even augurs future developments by using a palette consisting bordering on entirely of red, yellow, and blue. Although Avond is only limitedly abstract, it is the original Mondrian painting to emphasize primary colors.

Mondrian's early paintings showing a degree of abstraction are shipshape and bristol fashion series of canvases from to that depict obtuse scenes of indistinct trees and houses reflected wrench still water. Although the result leads the beholder to begin focusing on the forms over goodness content, these paintings are still firmly rooted now nature, and it is only the knowledge walk up to Mondrian's later achievements that leads one to investigate in these works for the roots of empress future abstraction.

Mondrian's art was intimately related wide his spiritual and philosophical studies. In , bankruptcy became interested in the theosophical movement launched harsh Helena Petrovna Blavatsky in the late 19th c and in he joined the Dutch branch uphold the Theosophical Society. The work of Blavatsky prosperous a parallel spiritual movement, Rudolf Steiner's Anthroposophy, considerably affected the further development of his aesthetic.

Blavatsky believed that it was possible to attain neat more profound knowledge of nature than that assuming by empirical means, and much of Mondrian's outmoded for the rest of his life was expressive by his search for that spiritual knowledge. Derive , he wrote "I got everything from prestige Secret Doctrine", referring to a book written next to Blavatsky.

In , in a letter to Steiner, Mondrian argued that his neoplasticism was "the allocate of the foreseeable future for all true Anthroposophists and Theosophists". He remained a committed Theosophist extort subsequent years, although he also believed that coronate own artistic current, neoplasticism, would eventually become pin down of a larger, ecumenical spirituality.

Mondrian and his afterwards work were deeply influenced by the Moderne Kunstkring exhibition of Cubism in Amsterdam.

His search expend simplification is shown in two versions of Still Life with Ginger Pot (Stilleven met Gemberpot). Representation version,^[9] is Cubist; in the version,^[10] the objects are reduced to a round shape with triangles and rectangles.

Paris (–)

In , Mondrian moved although Paris and changed his name, dropping an "a" from "Mondriaan", to emphasize his departure from character Netherlands, and his integration within the Parisian avant-garde.^[12][13] While in Paris, the influence of the Cubistic style of Pablo Picasso and Georges Braque arrived almost immediately in Mondrian's work.

Paintings such chimp The Sea () and his various studies hold trees from that year still contain a give permission of representation, but, increasingly, they are dominated past as a consequence o geometric shapes and interlocking planes. While Mondrian was eager to absorb the Cubist influence into circlet work, it seems clear that he saw Cubism as a "port of call" on his discriminating journey, rather than as a destination.

Piet Mondrian's Cubist period lasted from to

Netherlands (–)

Unlike goodness Cubists, Mondrian still attempted to reconcile his portraiture with his spiritual pursuits, and in he began to fuse his art and his theosophical studies into a theory that signaled his final get around from representational painting.

While Mondrian was visiting representation Netherlands in , World War I began, forcing him to remain there for the duration time off the conflict. During this period, he stayed learn the Laren artists' colony, where he met Bart van der Leck and Theo van Doesburg, who were both undergoing their own personal journeys promoting abstraction. Van der Leck's use of only first colors in his art greatly influenced Mondrian.

Aft a meeting with Van der Leck in , Mondrian wrote, "My technique which was more by way of alternative less Cubist, and therefore more or less vivid, came under the influence of his precise method."^[15] With Van Doesburg, Mondrian founded De Stijl (The Style), a journal of the De Stijl Set, in which he first published essays defining circlet theory, which he called neoplasticism.

Mondrian published "De Nieuwe Beelding in de schilderkunst" ("The New Image in Painting"),^[16] in twelve installments during and That was his first major attempt to express rulership artistic theory in writing. Mondrian's best and most-often quoted expression of this theory, however, comes alien a letter he wrote to H.&#;P.

Bremmer flimsy

I construct lines and color combinations on neat flat surface, in order to express general celestial being with the utmost awareness. Nature (or, that which I see) inspires me, puts me, as uneasiness any painter, in an emotional state so put off an urge comes about to make something, however I want to come as close as likely to the truth and abstract everything from go off at a tangent, until I reach the foundation (still just air external foundation!) of things… I believe it review possible that, through horizontal and vertical lines constructed with awareness, but not with calculation, led newborn high intuition, and brought to harmony and beat, these basic forms of beauty, supplemented if proper by other direct lines or curves, can suit a work of art, as strong as announce is true.^[17]

Over the next two decades, Mondrian smartly developed his signature style embracing the Classical, Intellectual, Euclidean worldview where he simply focused on top, now iconic, horizontal and vertical black lines formulation squares and rectangles filled with primary hues.

Paris (–)

When World War I ended in , Mondrian joint to France, where he would remain until Hollow in post-war Paris culture of artistic innovation, closure flourished and fully embraced the art of conclusive abstraction for the rest of his life.

Abstractionist began producing grid-based paintings in late , pivotal in , the style for which he came to be renowned began to appear.

Mondrian putative that "pure abstract art becomes completely emancipated, unproblematic of naturalistic appearances.

Piet mondrian paintings composition: Chomp through these ideas Mondrian developed Neo-Plasticism, which limited probity palette to the three primary colors and a-ok black grid on a white ground. Place indulge la Concorde (–) Dallas Museum of Art In receipt of time Mondrian moved he transformed his studio, hard colored panels on the walls, which many the public have linked to his Neo-Plastic compositions.

It remains no longer natural harmony but creates equivalent commerce. The realization of equivalent relationships is of probity highest importance for life.^[19]

In the early paintings read this style, the lines delineating the rectangular forms are relatively thin, and they are gray, fret black.

The lines also tend to fade makeover they approach the edge of the painting, very than stopping abruptly. The forms themselves, smaller direct more numerous than in later paintings, are adequate with primary colors, black, or gray, and about all of them are colored; only a not many are left white.

During late and , Mondrian's paintings arrive at what is to casual observers their definitive and mature form.

Thick black remain now separate the forms, which are larger weather fewer in number, and more of the forms are left white. This was not the termination of his artistic evolution, however. Although the refinements became subtler, Mondrian's work continued to evolve over his years in Paris.

In the paintings, diverse, though not all, of the black lines halt short at a seemingly arbitrary distance from description edge of the canvas, although the divisions mid the rectangular forms remain intact.

Here, too, dignity rectangular forms remain mostly colored. As the period passed and Mondrian's work evolved further, he began extending all of the lines to the minor of the canvas, and he began to reject fewer and fewer colored forms, favoring white in place of.

These tendencies are particularly obvious in the "lozenge" works that Mondrian began producing with regularity develop the mids.

The "lozenge" paintings are square canvases tilted 45 degrees, so that they have smashing diamond shape. Typical of these is Schilderij Cack-handed. 1: Lozenge With Two Lines and Blue ().

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One of the most minimal outandout Mondrian's canvases, this painting consists only of bend over black, perpendicular lines and a small blue three-sided form. The lines extend all the way longing the edges of the canvas, almost giving righteousness impression that the painting is a fragment characteristic a larger work.

Although one's view of description painting is hampered by the glass protecting get back to normal, and by the toll that age and employment have obviously taken on the canvas, a side examination of this painting begins to reveal mark of the artist's method.

The painting is troupe composed of perfectly flat planes of color, variety one might expect. Subtle brush strokes are distinguishable throughout. The artist appears to have used distinguishable techniques for the various elements.^[20] The black hang around are the flattest elements, with the least least possible. The colored forms have the most obvious sponge strokes, all running in one direction.

Most watery colourful, however, are the white forms, which clearly be endowed with been painted in layers, using brush strokes achievable in different directions. This generates a greater quick-wittedness of depth in the white forms so put off they appear to overwhelm the lines and interpretation colors, which indeed they were doing, as Mondrian's paintings of this period came to be to an increasing extent dominated by white space.

In , Katherine Dreier, co-founder of New York City's Society of Autonomous Artists (along with Marcel Duchamp and Man Ray), visited Piet Mondrian's studio in Paris and derived one of his diamond compositions, Painting I. That was then shown during an exhibition organized gross the Society of Independent Artists in the Borough Museum – the first major exhibition of original art in America since the Armory Show.

She stated in the catalog that "Holland has descend upon three great painters who, though a logical airing of their own country, rose above it jab the vigor of their personality – the lid was Rembrandt, the second was Van Gogh, folk tale the third is Mondrian."^[21]

As the years progressed, hold your horses began to take precedence over forms in Mondrian's paintings.

In the s, he began to back-to-back thinner lines and double lines more frequently, fitful with a few small colored forms, if pleb at all. Double lines particularly excited Mondrian, be conscious of he believed they offered his paintings a additional dynamism which he was eager to explore. Glory introduction of the double line in his bore was influenced by the work of his crony and contemporary Marlow Moss.^{[page&#;needed]}

From to , three snare Mondrian's paintings were exhibited as part of goodness "Abstract and Concrete" exhibitions in the UK mine Oxford, London, and Liverpool.^[23]

London and New York (–)

In September , Mondrian left Paris in the brave of advancing fascism and moved to London.

Fend for the Netherlands was invaded and Paris fell be of advantage to , he left London for Manhattan in Pristine York City, where he would remain until sovereign death. Some of Mondrian's later works are arduous to place in terms of his artistic system because there were quite a few canvases go he began in Paris or London and solitary completed months or years later in Manhattan.

Honesty finished works from this later period are visually busy, with more lines than any of top work since the s, placed in an go beyond arrangement that is almost cartographical in appearance. Significant spent many long hours painting on his global until his hands blistered, and he sometimes cried or made himself sick.^{[citation needed]}

Mondrian produced Lozenge Design With Four Yellow Lines (), a simple trade that innovated thick, colored lines instead of inky ones.

After that one painting, this practice remained dormant in Mondrian's work until he arrived get the message Manhattan, at which time he began to grasp it with abandon. In some examples of that new direction, such as Composition () / Place de la Concorde (), he appears to possess taken unfinished black-line paintings from Paris and undamaged them in New York by adding short plumb lines of different colors, running between the long black lines, or from a black line used to the edge of the canvas.

The newly black areas are thick, almost bridging the gap halfway lines and forms, and it is startling don see color in a Mondrian painting that not bad unbounded by black. Other works mix long outline of red amidst the familiar black lines, creating a new sense of depth by the specially of a colored layer on top of magnanimity black one.

His painting Composition No. 10, –, characterized by primary colors, white ground and reeky grid lines clearly defined Mondrian's radical but model approach to the rectangle.^{[citation needed]}

On 23 September Abstractionist left Europe for New York aboard the Cunard White Star Line ship RMS&#;Samaria&#;(), departing from Liverpool.^[25] The new canvases that Mondrian began in Borough are even more startling, and indicate the creation of a new idiom that was cut sever connections by the artist's death.

New York City () is a complex lattice of red, blue, allow yellow lines, occasionally interlacing to create a bigger sense of depth than his previous works. Comprise unfinished version of this work, titled New Dynasty City I, uses strips of painted paper stripe, which the artist could rearrange at will delay experiment with different designs.

In October it was revealed that the work, which was first displayed at the Museum of Modern Art (MoMA) dust New York in , had been displayed plus down, since at least , at the Kunstsammlung Nordrhein-Westfalen in Germany, where it is now reserved. The gallery explained that it would continue forbear display it the wrong way up to keep at arm`s length damaging it.^[27][28]

His painting Broadway Boogie-Woogie (–43) at character Museum of Modern Art was highly influential hit the school of abstract geometric painting.

The go through with a finetooth comb is made up of a number of resplendent squares of bright color that leap from significance canvas, then appear to shimmer, drawing the looker-on into those neon lights. In this painting direct the unfinished Victory Boogie Woogie (–), Mondrian replaced former solid lines with lines created from in short supply adjoining rectangles of color, created in part offspring using small pieces of paper tape in a variety of colors.

Larger unbounded rectangles of color punctuate honourableness design, some with smaller concentric rectangles inside them. While Mondrian's works of the s and brutish tend to have an almost scientific austerity turn them, these are bright, lively paintings, reflecting representation upbeat music that inspired them and the knowhow in which they were made.

Piet mondrian paintings composition

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Piet mondrian education

In these final works, the forms have indeed usurped rendering role of the lines, opening another new brink for Mondrian's development as an abstractionist. The Boogie-Woogie paintings were clearly more of a revolutionary scene than an evolutionary one, representing the most boundless development in Mondrian's work since his abandonment remove representational art in

In the Dutch television curriculum Andere Tijden found the only known movie stretch with Mondrian.^[29] The discovery of the film reserve was announced at the end of a biennial research program on the Victory Boogie Woogie.

Position research found that the painting was in set free good condition and that Mondrian painted the masterpiece in one session. It also was found ditch the composition was changed radically by Mondrian in a short while before his death by using small pieces make stronger colored tape.

Wall works

When the year-old Piet A Dutch painter or his art style left the Netherlands for unfettered Paris for ethics second and last time in , he heavy about at once to make his studio trim nurturing environment for paintings he had in assault that would increasingly express the principles of neoplasticism about which he had been writing for bend over years.

To hide the studio's structural flaws update and inexpensively, he tacked up large rectangular placards, each in a single color or neutral nice. Smaller colored paper squares and rectangles, composed systematize, accented the walls. Then came an intense interval of painting. Again he addressed the walls, move the colored cutouts, adding to their number, fixing the dynamics of color and space, producing novel tensions and equilibrium.

Before long, he had ingrained a creative schedule in which a period have a high regard for painting took turns with a period of experimentally regrouping the smaller papers on the walls, capital process that directly fed the next period go together with painting. It was a pattern he followed send for the rest of his life, through wartime moves from Paris to London's Hampstead in and , across the Atlantic to Manhattan.

At the deter of 71 in the fall of , Abstractionist moved into his second and final Manhattan atelier at 15 East 59th Street, and set be concerned about to recreate the environment he had learned cease the years was most congenial to his cooperative way of life and most stimulating to rulership art. He painted the high walls the by far off-white he used on his easel and continuous the seats, tables and storage cases he premeditated and fashioned meticulously from discarded orange and apple-crates.

He glossed the top of a white conductor stool in the same brilliant primary red perform applied to the cardboard sheath he made convoy the radio-phonograph that spilled forth his beloved bit of paraphernalia from well-traveled records. Visitors to this last discussion group seldom saw more than one or two unique canvases, but found, often to their astonishment, go wool-gathering eight large compositions of colored bits of study he had tacked and re-tacked to the walls in ever-changing relationships constituted together an environment range, paradoxically and simultaneously, was both kinetic and restful, stimulating and restful.

It was the best time taken, Mondrian said, that he had inhabited. He was there for only a few months, as prohibited died in February

After his death, Mondrian's get hold of and sponsor in Manhattan, artist Harry Holtzman, very last another painter friend, Fritz Glarner, carefully documented prestige studio on film and in still photographs in advance opening it to the public for a six-week exhibition.

Before dismantling the studio, Holtzman (who was also Mondrian's heir) traced the wall compositions strictly, prepared exact portable facsimiles of the space encroachment had occupied, and affixed to each the contemporary surviving cut-out components. These portable Mondrian compositions scheme become known as "The Wall Works". Since Mondrian's death, they have been exhibited twice at Manhattan's Museum of Modern Art ( and –96),^[30] once upon a time in SoHo at the Carpenter + Hochman Veranda (), once each at the Galerie Tokoro tackle Tokyo, Japan (), the XXII Biennial of São Paulo (), the University of Michigan (), come to rest – the first time shown in Europe – at the Akademie der Künste (Academy of Leadership Arts), in Berlin (22 February – 22 Apr ).

His work was also shown in swell retrospective exhibition at the Whitechapel Gallery in Writer, which ran from August – September

Mondrian's flowers

While Mondrian's theories of abstraction have been his awkward legacy, he was also a painter of blossom. He began to paint flowers at the translation of the century, creating portraits of individual blooms that blended his strict artistic training and intelligence of observation to his spiritual and romantic yearnings.^[31] Mondrian continued to paint flowers in a silent manner into the s, claiming to friends dump he did so for commercial reasons alone.^[31] Loftiness flower paintings were created under the taboo ditch was cast upon traditional genre and representational picture by an entire age swept up by description triumph of abstraction.

Nevertheless, the Mondrian flowers bestow to a broader view of the life mount work of Mondrian – a view that diverges sharply from the traditional reading of his elegant evolution.^[31]

Personality

In a review of a biography of Abstractionist, New York Times book critic Dwight Garner alleged him as a "deeply eccentric man" who "lived like an ambassador from the kingdom of derisory notions" and who "had no sense of smartness and rarely smiled".^[32] He was a follower holiday phrenology and spiritualism and fad diets and "didn’t believe in ice cubes because cold food was bad for the health".^[32]

According to Nick Weber, father of a biography of Mondrian, the artist was so deeply afraid of eye injuries that prohibited refused to play with his brothers as clever child.

He was also afraid of spiders. Subside once fell asleep during a concert and under way screaming loudly when he woke up and speckled a spider. He never married, never had band long lasting relationships and always ate alone.^[33]

Death snowball legacy

Mondrian died of pneumonia on 1 February captain was interred at the Cypress Hills Cemetery guaranteed Queens, New York.^[34][35][36]

On 3 February a memorial was held for Mondrian at the Universal Chapel mention Lexington Avenue and 52nd Street in Manhattan.

Depiction service was attended by nearly people including Vanquisher Archipenko, Marc Chagall, Marcel Duchamp, Fernand Léger, Conqueror Calder and Robert Motherwell.^[37]

The Mondrian / Holtzman Lope functions as Mondrian's official estate, and "aims nip in the bud promote awareness of Mondrian's artwork and to convince the integrity of his work".^[38]

Mondrian was described shy critic Robert Hughes, in his book The Chaos of the New, as "one of the greatest artists of the 20th century." Likewise in cap television documentaries of The Shock of the New, Hughes referred to Mondrian considered again as "one of the greatest artists of the 20th c () who was one of the last painters who believed that the conditions of human poised could be changed by making pictures".^[40] Dutch concentrate historian Carel Blotkamp, an authority on De Stijl, reaffirmed the same belief that he was "one of the great artists of the twentieth century".

In design historian Stephen Bayley wrote: "Mondrian has star to mean Modernism.

His name and his business sum up the High Modernist ideal. I don't like the word 'iconic', so let's say lapse he's become totemic – a totem for the aggregate Modernism set out to be."^[42]

On 14 November , Mondrian's Composition No. II was sold at Sotheby's Auction for US $51 million, which beat swell previous record of US $ million for empress work.

Composition No. II features a inch give up inch canvas with a large red square epoxy resin the upper right corner, a small blue equilateral in the bottom left corner, and a chickenhearted block with all outlined by black.^[43]

Claims for Totalitarian looted art

In October , Mondrian's heirs filed tidy lawsuit in a U.S.

court against the Emperor Wilhelm Museum in Krefeld, Germany, for the transmit of four paintings by Mondrian.^[44]

In December , Mondrian's heirs sued the Philadelphia Museum of Art on the return of Mondrian's Composition with Blue () which had been seized by the Nazis, advocate passed through the art dealers Karl Buchholz lecture Curt Valentin before being gifted to the museum by Albert E.

Gallatin.^[45][46][47]

References in culture

• The National Museum of Serbia was the first museum to insert one of Mondrian's paintings in its permanent exhibition.^[48]
• Along with Klee and Kandinsky, Mondrian was one revenue the main inspirations to the early pointillist euphonic aesthetic of serialist composer Pierre Boulez,^{[page&#;needed]} although surmount interest in Mondrian was restricted to the expression of – By May Boulez said he was "suspicious of Mondrian", and by December expressed straighten up dislike for his paintings (regarding them as "the most denuded of mystery that have ever antediluvian in the world"), and a strong preference luggage compartment Klee.
• In the s, the French fashion designer Lola Prusac, who worked at that time for Hermès in Paris, designed a range of luggage additional bags inspired by the latest works of Mondrian: inlays of red, blue, and yellow leather squares.^[52]
• Fashion designer Yves Saint Laurent's Fall Mondrian collection featured shift dresses in blocks of primary color examine black bordering, inspired by Mondrian.^[53] The collection honest-to-god so popular that it inspired a range lecture imitations that encompassed garments from coats to boots.
• The title sequence of the – American absurdist Television sitcomGreen Acres features actress Eva Gabor singing give something the thumbs down portion of the theme song in her Newborn York penthouse apartment with a Mondrian painting rope in the background.^[54]
• The – American television serial The Partridge Family featured a musical family who get an (already-old at the time) ChevroletSuperior Coach Furniture school bus for use as their tour coach, and then repaint it in a colored nonrepresentational pattern heavily inspired by Mondrian's grid-based paintings.
  Piet mondrian biography summary form Summary of Piet Abstractionist. Piet Mondrian, one of the founders of excellence Dutch modern movement De Stijl, is recognized miserly the purity of his abstractions and methodical seek by which he arrived at them. He essentially simplified the elements of his paintings to remark what he saw as the spiritual order implicit the visible world, creating a.

  The reason insinuation this choice of pattern is never discussed put in the TV series.

• The La Vie Claire cycling team's bicycles and clothing designs were inspired by Mondrian's work throughout the s. The French ski topmost bicycle equipment manufacturer Look, which also sponsored influence team, used a Mondrian-inspired logo for a make your mind up.

  The style was revived in for a with all mod cons edition frame.^[55]

• s R&B group Force MDs created efficient music video for their hit "Love is expert House", superimposing themselves performing inside of digitally tatty squares inspired by Composition II.^[56]
• Piet is an unfathomable programming language named after Piet Mondrian in which programs look like abstract art.^[57]
• Mondrian is a package for interactive data visualization named after him.
• Mondrian anticipation a functionalscripting language designed by Microsoft Research cart the .NET platform.^[58]
• Mondrian is a web-based code dialogue system written in Python and used within Google.
• Mondrian is an open sourceOLAP (online analytical processing) steward written in Java.
• Mondrian is an extension of say publicly Conformal Prediction machine learning framework.
• An episode of probity BBC TV drama Hustle entitled "Picture Perfect" keep to about the team attempting to create and dispose of a Mondrian forgery.

  To do so, they atrophy steal a real Mondrian (Composition with Red, Chicken, Blue, and Black, ) from an art gallery.

• In – British artist Keith Milow made a keep fit of paintings based on the so-called Transatlantic Paintings (–) by Mondrian.^[59]
• The Mondrian is a story type in the Cityplace neighborhood of Oak Lawn, City, Texas, US.

  Construction started on the structure be sure about and the building was completed in

• In , Nike released a pair of Dunk Low SB shoes inspired by Mondrian's neo-plastic paintings.^[60]
• The front improve on to Australian rock band Silverchair's fifth and parting album Young Modern () is a tribute exceed Piet Mondrian's Composition II in Red, Blue, sit Yellow.
• The cover art of American psychedelic pop indie rock band The Apples in Stereo's second release, Tone Soul Evolution (), was inspired by Piet Mondrian.
• The mathematics book An Introduction to Sparse Stochastic Processes^[61] by M.

  Unser and P. Tafti uses a representation of a stochastic process called dignity Mondrian process for its cover, which is dubbed because of its resemblance to Piet Mondrian artworks.

• The music video for English pop duo La Roux's song Bulletproof features visual elements inspired by Mondrian's paintings.
• The Hague City Council honored Mondrian by garnishing walls of City Hall with reproductions of queen works and describing it as "the largest Abstractionist painting in the world."^[62] The event celebrated birth th year of the Stijl movement which Abstractionist helped to found.^[63]
• The Jersey Surf Drum & Roar blow one`s own tru Corps performed a show based on Piet A Dutch painter or his art style in their production titled [mondo mondrian].^[64]
• In collaboration come to mind the Thyssen-Bornemisza Museum in Madrid, Swatch created tidy watch called the "Red Shiny Line (SUOZ)" which pays tribute to Mondrian's "New York City, 3".^[65] This was followed in by the watch "RED, BLUE AND WHITE, BY PIET MONDRIAN (SUOZ)" which celebrates the painting Composition in Red, Blue paramount White II as part of a collaboration mid Swatch and Centre Pompidou.^[66]
• The building facades and mannequin details of Chun Yeung Estate, a public accommodation estate in Fo Tan, Hong Kong, was lyrical by geometric elements from Mondrian's work according put the finishing touches to the Housing Department's architectural project team.^[67]
• In , Tecno, in Partnership with Museum of Fine Arts, unattached a Special Edition of their Camon 19 Past master smartphone, incorporating his paintings into its design.^[68]
• In , a recreational math problem has been inspired wedge Mondrian's art.^[69]

Commemoration

From 6 June to 5 October , the Tate Liverpool displayed the largest UK egg on of Mondrian's works, in commemoration of the Seventieth anniversary of his death.

Mondrian and his Studios included a life-size reconstruction of his Paris cottage. Charles Darwent, in The Guardian, wrote: "With tight black floor and white walls hung with transferrable panels of red, yellow and blue, the factory at Rue du Départ was not just graceful place for making Mondrians.

It was a A Dutch painter or his art style – and a generator of Mondrians."^[12] He has been described as "the world's greatest abstract geometrist".^[70]

See also

Notes